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Sunday, February 27, 2011

Bounty Killer & Kartel Fans Shut Down "Follow Di Arrow" Stageshow!


Unruly show goers pelted the stage with bottles Sunday morning, bringing a premature end to the Follow The Arrow stage show at James Bond Beach in Oracabessa, St Mary, about three minutes after Bounty Killer took the stage.

The melee prevented two of the nights top acts, Vybz Kartel and Mavado from performing, but not before rising reggae star I-Octane delivered a scintillating performance. The chain of events actually started backstage when it is alleged Bounty Killer got involved in an altercation, forcing MC Ragashanti to urge him (over the microphone) to ‘cool it’.
When Killer eventually took the stage at 5:25 a.m. he proceeded to recognise Black History month by paying tribute to some prominent black persons, including National Heroes Nanny and Marcus Garvey and his dancehall protégé Mavado.

He then referred to what he said was news being circulated that he was going to clash with Kartel by questioning: “How mi an’ Kartel fi have showdown? Mi a giant….!”

But that apparently incensed supporters of Kartel who started hurling bottles, forcing patrons to scamper for cover, with hundreds of them heading for the exit and others for the beach area.

After a few minutes the crowd reassembled, hoping to have a restart. But, after a few seconds of activity on stage, bottles again rained and the crowd again dispersed.

A third attempt was made to restart the show, this time by Kartel and some members of his Portmore Empire crew who appeared on stage in an attempt to calm the crowd. But, it was not to be as this time, patrons who appeared to be supporters of Bounty Killer, took matters into their own hands and pelted the stage with bottles. This forced Kartel and his crew to make a hasty retreat.

That effectively ended the show, minutes before six.

However, among those acts which stood out at the event prior to its demise were: Coco T, Josie Wales, Louie Culture, Twin of Twins, Hero and P-Zed, Gyptian, Assassin and Anthony B, who used his limited time very wisely.
 
Sources: -Carl Gilchrist writer for Jamaica Gleaner


Kartel Disrespects Fans Intelligence And Chats Some More Foolishness.

I've been trying to tell people for a long time now about Kartel and his evil ways.  That he is an idiot who will do whatever it takes to get money(as taught by his "handler" Cory Todd). Well here is the story from the Jamaica Observer, read, listen(4:15-5:00) and decide for yourself!!!


CONTROVERSIAL deejay Vybz Kartel has admitted that many of his actions are engineered to draw attention to himself and by extension his musical career.

Speaking in reference to the bleaching of his skin, Kartel noted that "people are like sheep and I am the shepherd, they are easy to lead. So when me seh, cool dung mi face with the cake soap, it's just more fame and more money for Vybz"

He added that the only thing one can expect from him is the unexpected, explaining that he has changed his hairstyle many times depending on his mood.

According to Kartel, the cycle continues as the set of persons he mentioned earlier never seem to realise what is happening and so they continue to buy into his actions.

The deejay, whose real name is Adidja Palmer, also touched on the issue of payola in the local music industry. He categorically states that he has never offered money to a radio jock to have his music played, noting that he would prefer to quit as a deejay. He went on to highlight that he has never had the need to pay, considering that his music usually makes it to radio anyway
 
Source: - Jamaica Observer

Saturday, February 26, 2011

Some Dancehall Queens(DHQ) from all over the world!!!

So here are some DHQ videos compliled from Youtbe.  I'm sure you seen some or all of these but i just LOVE how Dancehall has gone "To Di World" so I thought I'd celebrate it!!!

DANCHALL QUEENS WORLDWIDE.......MI LOVE UNNO!!!


Austrian DHQ Valerie


Russian DHQ Elena Yatkina


Ireland DHQ Competition


B-Fox From Chile


DHQ Contest Poland
(promo video) 

German Crew "Localorez"
(promo vid 4 Russian Sound "Kaya Warriors Smokaz Sound Company"



A Dance in Japan called
"Caribbean Sundays"



Spanish DHQ
Karmen Cuellar
 

Busy Signal in Gambia PT 3 Dec 2010

PART 3
Busy Signal in Gambia
Dec 2010


Here is a BONUS.
Busy in 2008
@ the Nottinghill Carnival

****BRAND NEW (Dancehall) "Mix Of The Week" FREE 4 Download****

Here's Your FREE "Mix Of The Week"...Dancehall Ting This Week...
Would U Like To Know More?!?!
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Feat. Bounty Killer, Alliance New Generation Members, Mavado, Busy Signal, I-Octane...Riddims Including, Pepper, Split Personality, Anti-Virus, Tump, World War, Machine and so much more!!!
 
 
 
"HAPPY RASTA CLOTHING CO."
Would you like to know more?!?!?!
 
 

"HAPPY RASTA CLOTHING CO."
Would you like to know more?!?!?!

Wednesday, February 23, 2011

Busy Signal Live In Gambia & Profile

Busy Signal


Busy Signal: Gambia Dec 2010

Born Reanno Gordon on January 24, 1982 and raised alongside three brothers and a sister by his devoutly Christian mother in the St. Ann’s parish community of Brown’s Town, Busy’s first exposure to music, like so many Jamaican youth, was in the church. While attending services and singing hymns he realized he possessed immense vocal talent and earned his very first encore from the church congregation; when services concluded, Busy would substitute the hymnal lyrics with his own words, much to the consternation of his mother.

In his early teens Busy’s family relocated to Kingston moving between the garrison communities of Standpipe, Tivoli Gardens and Papine, volatile environments that continue to inspire his gritty lyrical depictions. As a student Busy would save his lunch money to buy cassettes of popular music, everything from Madonna and Whitney Houston to Jay Z and Eminem and he was repeatedly reprimanded for beating out riddims on his desk. At night, he often snuck out of the house to hear such preeminent sound systems as Renaissance and Bass Odyssey, fascinated by the deejays’ voices that boomed through the towering assemblage of speakers.

Busy made the requisite links with several sound systems in hopes of becoming a recording artist and gained a modicum of studio experience voicing dub plates for Renaissance and Kilimanjaro. “Getting into the studio to do my first recording, I linked up with Fatta one of the engineers from Renaissance, then it was just on the rise from there,” Busy recalls. “I was trying to learn, trying to get it in the right context, melody, the verses, trying to know what is a hook, the importance of breath control, metaphor and word play, just trying to get better towards what I want to be in life.”

Busy took a step towards reaching his goals with the release of his first single “Shake It Fast”, voiced on Renaissance’s Tunda Clap riddim. His breakthrough, however, arrived in 2005 with the hits “Not Going Down” and the self produced “Step Out”, the title track of Busy’s critically acclaimed 2006 debut album released on Greensleeves Records. “Step Out” also featured the haunting ghetto narrative “Born and Grow” and the indomitable “Not Going Down” as well as a cadre of guest artists including Bounty Killer who mentored the early stages of Busy’s career and provided the aspiring deejay with his first opportunity to display his talent in front of a Jamaican audience. Busy’s association with the Killer led artists’ consortium called The Alliance brought him further renown, as did a succession of hit singles for various producers and his consistently enthralling performances at major Jamaican stage shows including Sting and Reggae Sumfest.

With the release of “Loaded” in September 2008 for VP Records, characterized by its authentic street savvy, quick wit, and mesmerizing vocal stream, Busy’s music was now cited as the gold standard for a new generation of dancehall releases. “Loaded” included such mega hits as the risqué “Tic Toc” (which ranked at number 70 on Rolling Stone’s 100 Best Singles of 2008); “These Are The Days”, a bitter commentary on the poverty and violence intrinsic to ghetto life and the compelling “Jail”, a grim recollection of Busy’s brief incarceration in the US. “The streets come with a lot of stuff; I was locked up once, a conspiracy charge, then I got bail,” Busy admits. “After that I was like I don’t want to be in the street, in the mixup or the confusion. I just want to do music.”

Whereas “Step Out” generated inaugural accolades and “Loaded” captured international attention, “D.O.B.” is poised to bring Busy the (dancehall) superstar status his vast, diversified talents merit. To insure a smooth delivery in the rebirth of dancehall that arrives with “D.O.B.” Busy chose to work with several of Jamaica’s finest upcoming producers including ” Clayton “Claybeat” Morrison and Carlington “Karl” Morrison, Karim “DJ Karim” Thompson, Kirk “Kirkledove” Bennet, Kalonji D'Aguilar, T'Jean Bennett and Andrew Myrie for UIM Records and, arguably, contemporary dancehall’s most successful hit maker, 20 year old Stephen “Di Genius” McGregor. “I get real work done with young producers, no disrespect to the big producers but I just try to give young producers an opportunity to get real work and real production out there,” says Busy.

Busy’s most compelling role on D.O.B. is as a spokesperson for disenfranchised (Jamaican) youth on several rugged, rhapsodic ghetto psalms. “Nuh Boy Caan Buy Wi Out” offers a riveting a cappella delivery relating the importance of remaining true to one’s principles despite tough circumstances. “Yes Dawg” provides an affirmation for inner city youths to reach their goals despite a system that Busy decries as “set up so the youths get paralyzed, hypocrites with dem bag a lies” and he smoothly alternates between deejay chat and American style rap, seeking “a Brinks full ah money right now” to help alleviate ghetto suffering on “My Money (Money Tree)”. Bounty Killer joins Busy for “Summn’ A Guh Gwaan”, a warning of the inevitable consequences when Jamaica’s poorest citizens are further squeezed by rising prices and diminishing services: “when dem run de higglers dem off de street, and de pickney get hungry can’t find food fe eat/and de big guys turn dem head like dem no see it…summn’ a guh gwaan.” The fearlessness chronicled through a series of blood-splattered gangster exploits on “Nuh Fraid”, which captures the sinister pulse that courses through Kingston’s garrison enclaves is definitely not for the faint hearted.

Violent scenarios depicted in various song lyrics have been repeatedly criticized for inciting real life carnage but Busy defends their inclusion in his rebirthing of dancehall as an unfortunate but authentic representation of life in the ghetto. “Guns are things we see all over, if there were no guns nobody could sing gun lyrics,” Busy reasons. “But artists definitely have to take at least a percentage of the responsibility in trying to balance it in the music.” Busy strives for equilibrium with “Peace Reign”: accompanied solely by an acoustic guitar, he pleads for a better way while seeking for peace for all mankind, revealing perhaps the most significant aspect of the charismatic, multifaceted musical identity presented on D.O.B. “People listen to Busy Signal and they will hear clean stuff and raw stuff but they wont hear 100% of either,” he notes. “I try to have that edge but balance it basically because I have corporate people that look up to me and ghetto people that look up to me too.

Source: www.myspace.com/onebusysignal

Tuesday, February 22, 2011

BUJU BANTON FOUND GUILTY! Lawyer Will Appeal.

Jamaican reggae star Buju Banton, who won a Grammy Award a week ago, was convicted Tuesday of brokering a cocaine deal with an undercover drug informant.

A Tampa, Fla., federal jury found Banton guilty of conspiracy to distribute cocaine after deliberating 11 hours over two days.

Banton, born Mark Myrie, reached the zenith of his singing career Feb. 13 when his album "Before the Dawn" was awarded the Grammy for best reggae album. But in a flash, his life has seemingly bottomed out as he faces a sentence of up to life in prison.

Prosecutors said Banton was the middleman in a cocaine transaction between Tampa dope dealers and a confidential informant working with the Drug Enforcement Administration.

The charges stemmed from a December 2009 DEA drug sting. Banton, 37, was caught on covert audio and videotape boasting about the "no-risk" drug deal and sampling the illicite white powder.
"This is not about Buju Banton, the reggae singer. This is about Mark Myrie, the drug defendant," Assistant U.S. Attorney James Preston said during his closing argument last Thursday.

Banton's lawyer, David Markus, countered that the singer did not profit from the drug deal. He said Banton was snared in the DEA probe because he is "a big talker" and was trying to impress the confidential informant - who ended up with a $50,000 commission following the bust.

"He tried to act cool," Markus said.

-Source:NY Daily Post


Lawyer To Appeal


ATTORNEY representing Reggae star Buju Banton, David Oscar Markus, has signalled his intention to appeal the guilty verdict that was handed down in the United States Sam Gibbons Federal Court today.

Banton was declared guilty of conspiracy to possess with intent to distribute five or more kilogrammes of cocaine, possession of a firearm in furtherance of a drug-trafficking offence and using the wires to facilitate a drug-trafficking offence by a 12-member panel of jurors.

However he was found not guilty of attempted possession with the intent to distribute cocaine.

The artiste hugged Markus when the verdict was read while many of his supporters left the courtroom crying. He has been detained and has had his bail revoked.

David Oscar Markus read a brief statement from Buju:
"Our life and our destiny are sometimes pre-destined and no matter where this journey takes me, remember I fought the good fight,"

"It was a great man that said my head is bloody but still unbowed I love you all thank you for your support," he added.

Banton is now in detention awaiting sentencing.

-Source:Jamaica Observer



Japanese Dancehall!!! Macka Diamond, Lady G & More...

The Money Goddess, Macka Diamond returned from a two week stint in the dancehall hungry Asian nation of Japan last week, all excited and pleased about the opportunity.

“I’ve been wanting to go to Japan for a while now, because I know that my music is well received over there, and I have a lot of fans,” said Macka Diamond, whose real name is Charmaine Munroe. The deejay, who was in Japan as part of a promotional tour for the album of Jamaican/Japanese artiste Shade continued, “the experience was a thrilling and enlightening one.” The tour saw her performing for her Japanese fans in packed clubs and concerts in Tokyo, Okinawa, Sukuko and Kin Town.


She thrilled audiences with tracks Dun Already, Bun Him, Hula Hoop, Dandy Shandy, and Too Much Bull. Of the appearances made on the four city promotional tour, Macka Diamond expressed that performing in Okinawa and Tokyo was perhaps the most memorable experience of the stop on Japan.



“In Okinawa the concert was on a US army base, so I was performing for soldiers, a few of which were Jamaicans. That was really cool for me, as a Jamaican dancehall artiste to be entertaining the men and women who are protecting the world” the deejay said.

“I think they liked Think Bout Me the most, because many of them are away from their spouses,” Macka laughed.

In Tokyo, the fans were more so receptive to Hoola Hoop and Too Much Bull. “The ladies love Too Much Bull so much and I couldn’t believe when I saw them singing along word for word. That was their song,” Macka noted.
The artiste who may be visiting Japan again in May for another mini-tour says that she is back in the studio, working on her new album which will be released later this year. She also has a European tour lined up as well which will serve as promotion for the new album. “The album will be a special one and I can’t wait for my fans to get a taste.”
- Source : Jamaica Observer

Friday, February 18, 2011

BOUNTY KILLER ALLIANCE NEXT GENERATION (A.N.G) AT MARAGARITAVILLE OCHO RIOS

Article from Wikipedia.com

The Alliance is a group of Dancehall deejays. Founded by the famous Bounty Killer the Alliance includes long-time collaborators like Angel Doolas, and proteges like Vybz Kartel and Elephant Man. Because of the high profile of these deejays, some worried that the Alliance was established to "rule" the dancehall business by choosing which riddim to voice. These worries led to the war between Vybz Kartel and Ninja Man.




The Alliance was formed in 2003 by iconic Dancehall artist Bounty Killer and close friends as 'the heavyweights'. These included Busy Signal, Wayne Marshall, Bling Dawg, Mavado and Vybz Kartel. Vybz Kartel later left after a heated dispute with fellow members. Alliance now comprises the core members and many Jamaican Dancehall artists who chose to affiliate themselves with the popular brand. Mavado's own Gully Squad is part of the crew. Popular singer Serani and his production label DASECA is also part of the crew. Vybz Kartel is no longer part of the Alliance family; he is now the leader of the Portmore empire known as the Gaza.




The Alliance currently has two main subsidiaries generating millions of dollars each year. The Gullyside and the Hothead Turf headed by Mavado and Busy Signal respectively, has continue to excel in dancehall and as a result has created millions in revenues and profits.




The Alliance's main competitor is the Portmore Empire which is managed by Vybz Kartel, who happens to be a former member of the Alliance. In 2009 the Empire became the hottest dancehall group in Jamaica, releasing hits after hits. However,the Alliance has bounced back and in 2010 is the hottest dancehall group thanks to Mavado, Elephant Man, Busy Signal, Wayne Marshall, Bugle and the Gully Squad.

Part1






Part2








Part3






Part4



Alliance Artists: Bounty Killer(Leader)
Elephant Man
Wayne Marshall
Bling Dawg
Muskilla
Patexx
K-Queens
Bridgez(Singer)
Badd Cash
Assailant
Dj Sirian
Prince Pin
Ishawna
Iyara
Jinyus
Predator
Jeru The Damaja
Nymron
De La Ghetto
Fuze
Abdul "Syrian Pitbull" El-Safadi
Di Unusual
Splinta
Boom Steppa
Lando
Advance
Anarchie
Gabrille
Venum
Marlon Binns
Future Fambo
Angel Doolas
Nitty Kutchy
Dungle dee
Flawless
Ryval
Serani
Bugle
Kiprich
Slimmaz
Dexta Daps

Hot Head Turf: Busy Signal(Leader)
Calado

Gully Squad: Mavado(Leader)
Flexxx
Savage
3 Star
Biggy
Kibaki
Knockas
Bones
Dj Frass
Ras Burro
Natural
krymist
Stacious
Chase Cross
Slimmaz
Safhya

***NEW*** "Mix Of The Week" FREE 4 Download.


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Thursday, February 17, 2011

Live Performances From Amsterdam Reggae Festival Feb 12th 2011

Here Are Some Live Performances from the Amsterdam Reggae Festival Winter Edtion held on Feb 12th 2011. One of Europe's Biggest Reggae Festivals.





Movado






Jah Cure

Capleton PT1

Capleton PT2

Capleton PT3

Some New & New-ish Official-Release Videos (Various Artists)

Busy Signal: Hottt-ed Medley(Official)

J Boog: Let's Do It Again(Official)

Taurus Riley: Protect Mi People(Official)

Taurus Riley: Nyabinghi Pickney(Official)


Prophet - Z : Profile & Some Vids

Prophet-Z (pronounced Prophet Zee)
Performing since the age of 4, Prophet-Z first took the stage at the tender age of six as a young emcee and proceeded to win several talent contests and a variety of shows. Over the years, he has formulated his craft to encompass an eclectic mix of Reggae, Soul and Rhythm and Blues. Prophet-Z has been an opening act for the likes of Hip Hop Legend, Big Daddy Kane and Toronto’s own Maestro Fresh Wes.
Prophet-Z currently resides in New York where he continues to perform in various urban venues. No stranger to the music scene in Toronto, he has lent his talents over the years to a variety of musical genres and events: Headlining shows with the likes of Buju Banton, Papa San and Damian Marley & performing for dignitaries such as Nelson Mandela.


Prophet-Z’s emcee stylings and energetic performances have gained him much respect from his musical peers. Prophet-Z has demonstrated his versatility as an artist as a producer, writer, and composer. Prophet-Z cites his musical influences as Bob Marley, Peter Tosh, James Brown, Fela Kuti, Beenie Man, Bounty Killer, Curtis Mayfield, Buju Banton, Shabba, Vybz Kartel, Slick Rick and Common, among several others.
WOULD YOU LIKE TO MORE?!?!?!
reverbnation.com/prophetz
twitter.com/prophet_z
facebook.com/prophetzee








DJ HYDRO GETS A CLOTHING SPONSER!!!

I am proud to annouce that I will know be sponsered by the
"Happy Rasta Clothing Co."
Below are some pictures of the T-Shirt line, contact me for contact info on how to buy yours today!!! More items to come....Stay tuned!!!






Wednesday, February 16, 2011

Hatian Resettlement Plan Leaving Out The Poor


PORT-AU-PRINCE, Haiti, Tuesday February 15, 2010 (By Jane Regan for Caribbean360.com)


One year and one month after Haiti's horrendous earthquake, the world's eyes are focused elsewhere.
Aside from a few updates on ex-dictator Jean-Claude Duvalier, Haiti has fallen from the headlines.
Gone are the foreign reporters and news crews pumping out anniversary stories.
Long-forgotten are the one-year reports from United Nations agencies, the non-governmental organisations (NGOs) and watchdog groups, full of self-congratulations or hand- wringing over the lack of progress on Haiti's reconstruction.
But there has been a kind of progress.
Haitian authorities – or, to be more precise, those who have authority in Haiti, but who are not necessarily Haitian – actually do have a plan for Haiti's homeless.
The ambitious 30-page "Neighborhood Return and Housing Reconstruction Framework (version 3)," obtained last month by Haiti Grassroots Watch, outlines plans to rebuild neighbourhoods with better zoning and better services, help homeowners rebuild safer homes, or relocate homeowners to new homes in less precarious locations.
However, the Framework leaves out Haiti's largest group of earthquake victims: the poorest of the poor. The renters.
"With a few exceptions, the reconstruction is not going to make people homeowners who were not homeowners before," Priscilla Phelps, senior advisor for Housing and Neighbourhoods for the Interim Haiti Recovery Commission (IHRC), told IPS and Haiti Grassroots Watch in January.
That means 192,154 families – more than half of the 1.3 million internally displaced persons tallied last fall – will be left out in the cold. Or, in the case of Haiti, out in the sun, the rain and the dust.
According to the Framework, "[r]eturn and reconstruction will not change the tenancy status of earthquake affected households: the goal is to restore owners and renters to an equivalent status as before the earthquake, but in safer conditions."
For home- and land-owners, things are moving forward, albeit very slowly.
Humanitarian agencies have over 100 million dollars to build 111,240 "transitional shelters" or "T-Shelters" – small huts, usually 18 square metres. As of Feb. 1, only about 43,100 had been built, due to the rubble choking poor neighbourhoods and Haiti's convoluted land ownership situation. (Most donors want to be sure on land titles before building a T-Shelter.)
Agencies and construction firms also have at least 174 million dollars pledged of the 350 million dollars needed - in 2011 alone - for repairing or rebuilding homes and neighbourhoods. As of Feb. 1, of the approximately 193,000 homes needing to be repaired or rebuilt, only 2,547 had been repaired and 1,880 rebuilt.
But for the hundreds of thousands of former renters living hunched under tents in camps with few or no services, with an average of 392 residents per latrine, there is no shelter – transitional or permanent – on the horizon. Because they are supposed to rent.
Sanon Renel, of the Housing Reflection and Action Force coalition (Fòs Refleksyon ak Aksyon sou Koze Kay - FRAKKA), which is mobilising with unions and other groups on the housing issue, is outraged.
"This is pure and simple exclusion. You could even call this an official policy of apartheid," Renel told IPS.
In addition to losing all their belongings, many of Haiti's displaced also lost jobs, as well as the huge sums they had paid out for school tuitions and rent prior to the earthquake. In Haiti, one rents six, 12 and even 24 months at a time. Renel noted that it will take years for families to save that up again.
"These people are factory workers, day labourers. Many are former peasants forced into the city because their land has given out, or because they can't make ends meet. They are the eternal victims of an economic system that protects big landowners and rich capitalists," said Renel.
A typical example of "reconstruction"
The way the housing issue is being handled offers a typical example of Haiti's "reconstruction".
The Framework "is intended to signal what the approach is going to be," according to the IHRC's Phelps, who likely helped author the plan and who recently co-wrote 'Safer Homes, Stronger Communities: A Handbook for Reconstructing After Natural Disasters' for the World Bank.
But the document has never been approved by the government of Haiti. Not by the parliament, not by President René Préval, and not the Inter-Ministry Commission on Housing, which groups together five ministers.
Nor has the document ever been held up to public scrutiny or discussed at fora where local urban planners, construction firms or other stakeholders – like FRAKKA and the homeless people themselves – could perhaps make their opinions known.
Nevertheless, the Framework is more than what the "approach is going be".
De facto, it is the plan. Because NGOs are moving forward, according to Jean-Christophe Adrian of UN-HABITAT, which chairs the "Shelter Cluster" of the 200 or so NGOs working on the housing issue.
"The document represents the consensus," Adrian explained.
Phelps notes that the Inter-Ministry Commission on Housing has "seen it and made remarks," but they have never openly approved or disapproved of it, nor has it been made public.
In fact, national government officials have only gone public on one housing project – a plan for 3,000 to 4,000 apartments in the Fort National neighbourhood overlooking Haiti's National Palace.
"It's a project of public housing high-rises, respecting building norms for earthquake zones, which will house many hundreds of families," Jacques Gabriel, Minister of Public Works, told Agence France Presse in January.
But when Minister of Social Affairs Gérald Germain and his bodyguards showed up to place the cornerstone on Jan. 12, they were chased away by angry, homeless protestors.
"We want explanations!" a man who identified himself as Leguenson told AlterPresse.
Haiti's homeless are not the only ones who want explanations. According to Phelps, the project does not yet have IHRC approval.
Nevertheless, not unlike the lack of coordination and communication sometimes apparent in other sectors, the first stone for the Fort National project was going to be placed even before it received the IHRC's green light.
Or perhaps the Haitian government has decided to skip the IHRC? But according to a decree, it is "responsible for continuously developing and refining development plans for Haiti."
"There are still a lot of questions that have to be worked out," Phelps explained. "The proposal they have made is one that needs some vetting. It's quite expensive."
Shelter Cluster authorities are also sceptical. "Our experience shows us that, in all countries, these types of projects end up benefiting the middle classes. They don't benefit the poorest people," Adrian said.
With authorities bickering, with no high-rise in sight, and with construction and reconstruction only planned for the homeowners, 13 months later, Haiti's poorest earthquake victims are left exactly where they were on Jan. 13, 2010 - in tents and under tarps, living in subhuman conditions, under constant threat of eviction, facing a depleted housing stock with no savings. (IPS)

Monday, February 14, 2011

Wayne Wonder Interview (Buju & Leaving VP Records)





The singer has been battling challenges which have resulted in his career being put temporarily on pause for close to two years. Already, Wayne has released a few new singles, working with top reggae and dancehall producers. He is also wearing the producer's cap himself.

The song, "If I Ever", produced by Wayne Wonder on his own SINGSO/NYAMCASH label and mixed by Tony Kelly, has been doing well on iTunes, debuting at number 4 on the iTunes Reggae Charts. "If I Ever" has also been getting excellent reaction from radio and sound systems, and may very well be on its way to being another signature tune for the smooth-voiced singer.

Wonder has also teamed up with dancehall group, T.O.K. for a song which is making a loud statement in Jamaica and overseas. titled Girl Dem Follow, the song was produced by Stephen 'Di Genius' McGregor on his new Winnings rhythm.





Here's His Latest Video "If I Ever"

Bittersweet Win For Buju Banton





Buju Banton, whose real name is Mark Myrie, won "Best Reggae Album" for "Before The Dawn". This is his ninth studio album, which was released in September last year while the singer was still in prison. He joins the likes of Beenie Man, Ziggy Marley, Shabba Ranks, Sean Paul, Black Uhuru and Damion ‘Junior Gong’ Marley, as famous reggae Grammy winners.

Buju was meeting with his legal team, to prepare for today’s trial, when the news broke He appears in court today for the start of his retrial on drug charges. The four charges he faces today are conspiracy to possess with the intent to distribute cocaine; attempted possession with the intent to distribute cocaine; possession of a firearm in furtherance of a drug-trafficking offence; and using the wires to facilitate a drug-trafficking offence.
If found guilty, Buju could face life in prison.

Black History Month Ban On Vybz Kartel

New York base disc jockey and Irie Jam radio host/programme director, Dubb Master Chris, publicly stated his stands not to play any Vybz Kartel music during February, Black History Month.

In a recent interview with The Star, Dubb Master Chris said Black History Month is a big deal and Vybz Kartel sends the wrong message.

“Black History Month is a big deal and we as a people should take every opportunity to celebrate our heritage. I feel if I continue to play Vybz Kartel, an artiste who is now very much known for bleaching his skin, it simply sends the wrong message to my young impressionable listeners.”

DJ Chris pointed out his admiration for Kartel’s music, but disagree with the direction the dancehall artist is going.

“Please understand that I have a lot of love and respect for Kartel’s music. I respect his enormous talent and his individuality. He is one of the great lyricists of our time, however, at times I am disappointed in the direction he decides to take his audience even though that is his prerogative.”

“I strongly believe bleaching is wrong, wrong, wrong! It’s a disgrace. It’s a slap in the face of our heritage, our ancestors andour God. This definitely sends the wrong message to children, I think it leads them to believe that somehow, if they are dark complexion something is wrong with that.It erodes the concept that black is beautiful.”


"Out The Gate" Jamican movie trailer

OUT THE GATE

The motion picture tells the story of Everton, (Everton Dennis) who after a turn of unfortunate events, leaves his home of Jamaica to try and make it in the music business in America. Struggles and perseverance lead to love and success, but it is all threatened when the Don of LA (Paul Campbell) wants his dues.

The independently financed film was produced by Far I Films under a SAG Indie agreement, and was shot on location in Clarendon, Jamaica and Los Angeles.

Movado & 3 Star in Guyana - Jan 2011

Sunday, February 13, 2011

Feb 11 2011 "Mix Of The Week" FREE 4 Download

Don't Forget To Download The Latest "Mix Of The Week"
ALWAYS Free For Download...
Check Back Every Friday For The Latest in EVERYTHING Urban!!!


This Week Is An All Reggae/Dancehall Mix
New...Bounty Killer, Busy Signal, Movado, Beenie Man, I Octane, Sizzla, Vybz Kartel, Serani, Khago, Kibaki and much much more....SO DOWNLOAD TODAY AND ENJOY!!!


http://www.mediafire.com/?7skj6zcn51jrzw6

Prophet Z @ Jamaica Day 2010(Toronto,Canada) - "Cyaan Run"

My Artist dis....memba mi told yuh, di yute BAAADDDD!!!

Best new artist from Canada, stay tuned for more....

UPCOMING LIVE SHOW



"Super Stars Of The Dancehall" Live Show next Sun Feb 20th


Live performance from Torontos best new Dancehall Artist - PROPHET Z


You've heard him featured on my CD's....Now come see him Live!!!


PT1 Mavado Interview With Tim Westwood TV Brixstol London {Jan 2011}

PT 1 of Interview with Movado live on Tim Westwood TV





Footage by Tim Westwood TV

PT2 - Movado Interview With Tim Westwood TV Brixstol London {Jan 2011}






2nd Part of the interview.


footage by: Tim Westwood TV